JOHN COSTIN STUDIO

Years ago, I used to refer to Great Egrets with just their necks and heads protruding from the saw grass as “hooks” and still like that reference. They have a presence in a grassy wetland field that makes me think about precious moments, nature, and the passing of time. Our most magnificent Egret in North America adds a touching note to this landscape. The etching was created with 4 copper plates, then hand-painted with transparent watercolors.